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Guide: Edinburgh Fringe's Best Immersive Shows (2025)

  • Writer: Immersive Rumours
    Immersive Rumours
  • Jun 19
  • 10 min read

Updated: 2 days ago

With nearly 4,000 shows on offer across the month of August, planning a visit to the Scottish capital is a daunting task. Here's our guide to some of the interactive and immersive shows at the Edinburgh Fringe in 2025 that we think are worth your time.


Colourful arcade, person with "Game Show Spectacular" sign, red notebook, person holding birthday cake with candles, artistic portrait.

Images: Katie Edwards/Gameshow Spectacular/Yannick Trapman-O'Brien/Uncle Barry/KISS WITNESS


Spreadsheets at the ready! The line-up for 2025's Edinburgh Fringe is here. With nearly 4,000 shows on offer across hundreds of venues in the Scottish capital, the month-long arts festival is a daunting event to tackle, even for those who have been multiple times. To help out, we've put together a list of our recommendations for interactive and immersive shows at this year's Edinburgh Fringe.


While this is by no means an exhaustive list, it's a solid jumping-off point for anyone looking to see what interactive and immersive work is being performed at the Fringe this summer. Expect more shows to be added as we get closer to August.

Undersigned by Yannick Trapman-O'Brien

Red notebook with black ribbon, gold pen, and a smoking candle in a wooden box. Black and red satin fabric drapes around the box, setting a moody scene.

Photo: Unsigned/ Yannick Trapman-O'Brien


Yannick Trapman-O'Brien's interactive psychological thriller Undersigned has become a cult hit in the United States over the last few years, with numerous sold-out engagements and a long waiting list. Making its international debut this summer with appointments in London, Amsterdam, and at the Edinburgh Fringe, Undersigned is a deeply personal experience for one blindfolded audience member and is shaped entirely by the participant's input.


Topics of discussion on the table in Undersigned may include money, power, sex, pleasure, violence, blood, horror and the occult, with a commitment that everything discussed in the show will never be repeated once it concludes. Every participant is only ever allowed to experience Undersigned once.


Our friends at NoProscenium have previously described Undersigned as "thrilling in every sense of the word", and six months on from their appointment, Todd Martens from the Los Angeles Times commented, "..there are moments I’ll catch myself thinking about the show and the choice I was presented with".


Fans of last year's The Manikins: a work in progress by Deadweight Theatre, which shared a bill with Undersigned on the immersive programme at the 2025 Overlook Film Festival in New Orleans, will know how impactful an extended one-on-one experience can be, and how important it is to go into some experiences blind, so the less you know going into Undersigned, the better.

An invocation, a blindfold and a pointed discussion. This deeply personal, psychological thriller for one offers infinite possibilities and sharp choices. Repeat visitors are forbidden, and nothing said here ever leaves. As such, in place of summary, Management offers you a deal: after your appointment, you can reclaim a portion of your ticket price – or add what the experience was worth to you. Management bets we will exceed your estimation. After three years of sold-out runs and critical acclaim (LA Times, No Proscenium), we make our international debut with limited engagement festival appointments. Opportunity waits; come take it.

📍 Cowgate at Underbelly (Venue 61) 💰 From £22.00

🕒 31st July - 12th August 2025, Various times, 60 minutes 🎟️ Book via edfringe.com

ARCADE by DARKFIELD

Neon-lit gaming booths with headphones hanging, vibrant pink and green lights on walls and ceiling, creating a futuristic, immersive atmosphere.

Photo: Katie Edwards

Fringe mainstay DARKFIELD return to Edinburgh this August with a collection of audio-based immersive experiences. While they're best known for creating linear 360-degree sound experiences delivered through headphones such as FLIGHT, COMA and SÉANCE - which all use binaural audio and complete darkness to immerse guests - the company's latest show, ARCADE, offers up a more interactive experience with its choose-your-own adventure design.


Each audience member stands in front of an arcade machine in total darkness and takes control of Milk, an amnesic avatar dropped into the middle of an ongoing war between the North Block and South Block. By answering 'Yes' or 'No' when prompted, the branching narrative that makes up ARCADE all but guarantees everyone will have a different experience, and with Milk trying to navigate a war-torn world where violence is commonplace, there's some surprisingly dark subject matter to explore.


Earlier this year, we reviewed ARCADE as part of DARKFIELD's Shoreditch Town Hall residency, and described it as a "unique and unsettling half-hour in a dystopian nightmare".

DARKFIELD presents ARCADE: an interactive narrative that uses the nostalgic aesthetic of 1980's video games to explore the evolving relationship between players and avatars. Over 30 minutes in a completely dark shipping container, this choose-your-own-path experience will fully immerse the players using 360-degree binaural sound, sensory effects and a bespoke DARKFIELD ARCADE machine for each player. Players will be asked existential questions about free will and consciousness in a world where some may win and some may lose...

📍 Potterrow Plaza - Container 1 at Pleasance Dome (Venue 23) 💰 From £15.00

🕒 1st - 25th August 2025, Various times, 30 minutes 🎟️ Book via edfringe.com


Uncle Barry's Birthday Party

Two people wearing party hats hold candles, surrounded by colorful drawings of cake, a donut, and text: "Uncle Barry's Birthday Party."

Image: UNCLE BARRY


A recent highlight of both Side/Step Festival and Voidspace Live 2025, Uncle Barry's Birthday Party is an immersive show set at, you guessed it, a birthday party. With a spread of snacks and drinks, a killer playlist and heaps of party decorations, everything is in place to make this a great party, even if the man of the hour is running late..


As guests mingle and chat, everyone swaps stories of how they came to know Uncle Barry. Whether he's helped them as an AA sponsor, been a shoulder to cry on during hard times, or in our case when we attended, offered up a kidney in a time of need, everyone has the chance to improvise and make up as ridiculous a story as they wish about the man, the myth, the legend. It's a collective exercise in going 'Yes, and...' to every new story you hear, which quickly helps Uncle Barry reach mythical status amongst those in attendance, and acts as a world-class ice breaker when speaking to other guests.


Sprinkle in some tension between a couple of guests (played wonderfully by the show's cast), a heartfelt speech that needs to be delivered once Uncle Barry arrives, and a conga line that snakes around the length of the venue, and you've got a wonderfully put-together hour-long immersive show that's as fun as Barry is loved.

What makes for a fun party? People (you’re invited), gossip (someone has to spill the beans), booze (obviously), dancing (optional), flirting (encouraged), cake (yes), a good playlist (please)... and Uncle Barry! You're invited to share an evening with us celebrating Uncle Barry's Birthday, we know he'd love to have you.
Seven people in party hats, one holding a cake, others with balloons. Bright, cheerful atmosphere with playful expressions.

Image: UNCLE BARRY



📍 Muse at Braw Venues at Hill Street (Venue 41) 💰 From £14.00

🕒 9th - 17th August 2025, 20:45-21:45, 60 minutes 🎟️ Book via edfringe.com


Gameshow Spectacular - An Immersive Gameshow Experience

Man on stage in a suit holds a microphone; cheering audience. Stage with shiny curtain backdrop. Sign reads "Game Show." Energetic mood.

Photo: Gameshow Spectacular


Following a successful string of shows across London and, more recently, a sold-out run at the Brighton Fringe, Gameshow Spectacular is the perfect interactive, late-night Fringe show. Over 60 chaotic minutes, charismatic American showman Dom Blarke, fresh off losing their Las Vegas residency, invites contestants to compete on stage in a series of over-the-top, ridiculous challenges for the chance to spin the prize wheel and win as many Blarke Bucks as possible for their team.


Whether you find yourself on stage trying to catch as many balls as possible in your oversized trousers, doing a perfectly timed shot of tequila while blindfolded, or proving you're the drunkest audience member through a breathalyser, there are a lot of laughs to be had as your teammates either cheer you on or commiserate your loss. Part improv, part game show, the experience is frantic, messy, and heaps of fun.


Step into a world of comedy and chaos with Gameshow Spectacular! Hosted by the over-the-top American showman Dom Blarke, this high-energy experience is packed with ridiculous mini-games, audience participation and hilarious surprises. Forget boring trivia – teams compete in outrageous challenges, accompanied by dynamic sound effects and a fast-paced atmosphere. Expect absurd antics, unpredictable twists and non-stop laughter as Dom guides you through a night of pure entertainment. Whether you're on stage or cheering from the crowd, you'll be part of the action. Join us for the most fun, interactive and unforgettable night of your Fringe!

Photos: Gameshow Spectacular


📍 Just Out Of The Box at Just the Tonic at The Caves (Venue 88) 💰 From £7.50

🕒 31st July - 9th August 2025, 21:20-22:20, 60 minutes 🎟️ Book via edfringe.com

Stampin' in the Graveyard by Kiss Witness

A woman's face and upper body overlap space scene. Ribcage overlay on shirt, ethereal mood, with red and blue hues. No text visible.

Image: KISS WITNESS


Exploring the human desire for connection and a sense of belonging, this immersive theatre piece from KISS WITNESS uses silent disco headphones to guide the audience through the end of the world.


Set in the graveyard of humanity, Stampin’ in the Graveyard follows AI chatbot Rose as she sifts through the memories of a vanished civilisation, learning about the woman who created her and piecing together the human life that was. The audience shapes the story in real time by interacting with Rose, choosing paths that lead to multiple endings.


Rooted in the international creative team’s lived experiences of migration and exile, Stampin' In The Graveyard traces a thread of loss and loneliness - through inherited trauma, displacement, and ecological grief - ultimately investigating how we might move toward joy.


Speaking on the show, writer, co-creator and performer Elisabeth Gunawan said:

I don't think it's radical to say we live in frightening times - facing the destruction of our planet and the erosion of things we hold dear. I began making this show during the pandemic, when I was far from home and questioning what ‘home’ really meant. As a migrant, neither the place I was born nor the place I resided in offered the safety or belonging that 'home' seems to promise. I hope Stampin’ in the Graveyard can offer audiences a glimmer of hope and belonging in the chaos, even if it is fleeting.
Woman examining an illuminated black crate with open sides. Dark setting, colorful light reflecting off her patterned top. Intense focus.

Image: Valeriia Poholsha

ROSE is an AI chatbot that gives advice for the end of the world, powered by a black box of memories from people whose worlds have already ended. Tonight, ROSE unboxes her training data of human memories (and fabricates some in true AI fashion), to learn about the woman who created her. Stampin' in the Graveyard is an immersive headphone experience fusing physical theatre and live music to draw audiences into an ephemeral, apocalyptic world. Developed by the critically acclaimed and award-winning Elisabeth Gunawan and Kiss Witness

📍 Summerhall - Red Lecture Theatre (Venue 26) 💰 From £17.00

🕒 31st July - 24th August 2025, 12:15-13:15, 60 minutes 🎟️ Book via edfringe.com

Thanks for Being Here by Ontroerend Goed

A woman in a gray blazer points upward, standing before a large projected face in a dimly lit setting, expressing thoughtfulness.

Photo: Kurt Van der Elst


Eight-time Fringe First winners Ontroerend Goed return to the Fringe with a show that celebrates the most essential element of theatre: the audience. Blending digital livestream with shifting spatial viewpoints, Thanks for Being Here unsettles expectations as roles blur and the boundary between performer and spectator dissolves.


The audience is filmed on entry, and throughout the performance live footage is layered with pre-recorded voices and merged with the faces of those in the crowd – captured in real time by the performers. Watching becomes part of the performance, not by following instructions, but simply by being present.


After the show, audiences are invited to leave suggestions that can subtly shape future performances, meaning Thanks for Being Here is never quite the same twice. A subtle, hopeful celebration of togetherness in the here and now, among a room full of strangers, it isn’t just a show – it's an homage to those who show up. 


Speaking on Thanks for Being Here, Director Alexander Devriendt said:

I used to want to shake people awake, but now I just want to reach out and connect. Everyone is awakening, slowly. In times of distrust, being positive can almost feel controversial. That’s why it’s hopeful to see that, even in an age of streaming and games, people still make the effort to go outside and experience something unique in the theatre. Thanks for Being Here is our way of saying thank you for that.
Two women on stage; one operates a camera, the other stands smiling. A large projected image shows a person in a doorway. Audience visible.

Photo: Kurt Van der Elst

Step into a world where the boundaries between audience and performers dissolve. Eight-time Fringe First-winning theatre company Ontroerend Goed transforms traditional theatre into an experience that playfully shifts perspectives through video. Despite its interactive nature, you're free to simply observe as the performers navigate the space. This isn't about putting you on the spot – it's about recognising that without you, there is no theatre. Thanks for Being Here isn't just a show – it's a celebration of your presence.

📍 Main House at ZOO Southside (Venue 82) 💰 From £20.00

🕒 12th - 24th August 2025, 13:45-15:00, 75 minutes 🎟️ Book via edfringe.com


The Ode Islands by Ornagh

A woman in a white dress crawls through a red liquid tunnel under a blue sky with clouds, looking intense and focused.

Image: Ornagh


Blending live performance with responsive virtual reality, this one-woman show unfolds in a fully digital environment that shifts in real time with the performer’s movement and emotional state. At its centre is a woman, Ornagh, caught in a storm and cast adrift across a chain of surreal islands—each representing a different facet of her identity, from domestic roles to sexuality, gender, and body image.


As she journeys through these shifting landscapes, she confronts the societal expectations that have shaped her, seeking to shed them and rediscover who she truly is. With a supporting cast of digital characters also performed by Ornagh, the narrative is carried entirely through the artist’s body, voice, and the digital worlds that surround her. Motion capture brings to life a series of fantastical characters she meets along the way, AI manipulation shapes their voices, and satellite data forms the virtual terrain. The result is a fragmented yet visceral exploration of memory, myth, and the boundaries of self. 


Speaking on the show, creator and performer Ornagh said:

The Ode Islands is a retrospective of my existing works, where each virtual reality environment I’ve created serves as a backdrop for this new theatrical experience. As a contemporary artist and a woman, I confront themes of gender, sexuality, and body image through layered, immersive storytelling. By harnessing the power of digital tools and AI, I invite the audience to join me on a journey of reimagining what freedom can look like in this digital age.
Three muscular minotaur figures with blue and white face paint, gold chains, and intense expressions, set against a dimly lit blue background.

Image: Ornagh

A genre-blurring experience, fusing live performance with virtual reality environments shifting and reshaping in response to the protagonist's inner world. Swept into a storm while escaping a stagnant life, a woman is cast across surreal islands. Each strange landscape becomes a mirror, challenging her to let go of who she was and step into who she might become – a striking exploration of transformation and self-discovery. Visually arresting and emotionally charged, The Ode Islands invites audiences into a fluid world where physical and digital realities merge. A bold, boundary-defying performance pushing the edges of contemporary storytelling.

📍 Lammermuir Theatre at Pleasance at EICC (Venue 150b) 💰 From £12.50

🕒 31st July - 16th August 2025, 16:00-17:00, 60 minutes 🎟️ Book via edfringe.com


For news, reviews and previews of upcoming immersive experiences, follow Immersive Rumours on Instagram or BlueSky.




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